Ghanaian actressShugatiti has revealed her reasons for stepping away from church services, despite acknowledging their importance.
In a soon-to-be-released interview with Pulse Ghana, she recounted her unpleasant experiences with persistent sexual advances from church leaders and members.
When she declined these advances, she was met with isolation and a lack of communication, which deterred her from continuing to attend.
For over seven years, Shugatiti has chosen to stay away from church due to these negative encounters and the favoritism and sin she observed.
Instead, she has turned to personal practices of prayer and fasting, which she finds fulfilling.
Known for her roles in romantic movies and her bold social media presence, Shugatiti has also stated that no man can fully meet her sexual desires.
Watch video below:
Why I stopped attending church services – Shugatiti
Ghanaian actressShugatiti has explained why she stopped attending church services, despite recognizing their physical and spiritual benefits.
In an upcoming interview with Pulse Ghana, she described facing persistent sexual advances from pastors, instrumentalists, and other church members.
When she refused these advances, they ostracized her, leading to feelings of isolation and discouragement from attending church.
Shugatiti has avoided church for over seven years due to these negative experiences and the prevalence of favoritism and sin within the church community.
Instead, she relies on personal prayer and fasting, which she finds effective.
Shugatiti, known for her romantic film roles and daring social media posts, previously remarked that no man can fully satisfy her sexual desires.
Watch video below:
Why I stopped attending church services – Shugatiti
Ghanaian actressShugatiti has shared her reasons for ceasing to attend church services, despite acknowledging their physical and spiritual benefits.
In a forthcoming interview with Pulse Ghana, Shugatiti revealed that her experiences at church were marred by unwanted sexual advances from pastors, instrumentalists, and other attendees.
Her refusals led to isolation and a lack of communication from these individuals, ultimately discouraging her from participating in church activities.
She has abstained from church for over seven years, citing widespread favoritism and sin within the community. Shugatiti finds solace in her personal spiritual practices, stating that her prayers and fasting yield results without the need for church attendance.
Known for her roles in romantic films and her provocative social media presence, Shugatiti previously mentioned that no man can fully satisfy her sexual desires.
Watch video below:
Why I stopped attending church services – Shugatiti
Music executive producer Kwame Mickey has offered Team Eternity Ghana a “generously affordable” solution to avoid a potential copyright infringement lawsuit.
In a Facebook Live broadcast on Sunday, June 17, 2024, the music executive accused the gospel group of illegally interpolating elements in their latest hit, “Defe Defe.”
Mickey criticized the frequent unauthorized use of original works by gospel musicians, who often justify their actions by claiming to do God’s work. He lamented that many creators are not receiving the credit and compensation they deserve, leading to exploitation in the industry.
“There’s something I need to address,” Mickey said. “We have veterans in music who see it as their business. We must be careful, or people will work hard and gain nothing. As long as I, Kwame Mickey, am alive, I will tell you what is right. We won’t let people reap where they haven’t sown.”
He condemned the practice of appropriating popular songs in the Gospel industry and denying their rightful ownership. “Every song has a creator,” he asserted.
“I’ve seen a group called Team Eternity. You guys are playing with fire. If you’re in doubt, ask Stonebwoy or Kwaku Darlington. I won’t let you go scot-free. I’ll get an international lawyer to make you respect me,” Mickey warned.
He emphasized that he is not like other musicians who create hits only to later live in poverty because they were denied their rightful earnings. He rejected the notion that it’s all for the advancement of God’s work, pointing out that even pastors collect donations for their ministry and people profit from religious texts.
Despite his strong stance, Mickey mentioned he has been lenient with Team Eternity because it involves God’s work. “I’m offering you a generously affordable solution. Come and do the needful,” he advised, showing a bottle of Christian Brothers brandy as a gesture of goodwill.
Two decades ago, Christ International’s Halleluya Voices released a song with the lyrics: “Me nuanom ee mese m’ongyae me w’ate, na menkɔ da Nyame ase’o. Manhyia Nyame a anka ɔbonsam ayɛ me defe defe.” In 2024, Team Eternity’s song features: “M’ongyae me na menda Nyame ase. Manhyia Nyame a anka y’ayɛ me defe defe.” Both songs share the same title, “Defe Defe,” and contain similar lyrical content.
Distinguished Ghanaian music executive and producer, Kwame Mickey who is at the center of a copyright dispute with the gospel group Team Eternity, accusing them of unauthorized use of his song.
As public interest in the case grows, GhanaWeb highlights some key aspects of his life and career.
Career in music production:
Worked with over 40 artistes on approximately 75 albums
Produced some of Ghana’s biggest hits including:‘Krokro Me’ by Amakye Dede and ‘Mensuro na Meka’ by Osuani Afrifa.
Produced 12 albums with the late Reverend Osei Bonsu.
Produced 12 albums with his elder brother, Kaakyire Kwame Appiah.
Worked on Cecilia Marfo’s first album.
Collaborated with artistes such as Paa Solo, Uncle Ato, Paa Bobo, and Hallelujah Voices.
Break from music:
Took a break from music in 2012.
Traveled to the USA.
Sold and distributed CDs to African communities in the USA.
Made the move for his children to have a better chance at education.
Reggae artistBlakk Rasta recently announced that he would leave Ghana if Vice President Dr. Mahamudu Bawumia wins the upcoming presidential elections.
During an interview, he mentioned his plans to relocate with his family, pets, and possessions, and indicated that he would only consider returning if Dr. Bawumia is no longer in power.
Blakk Rasta’s decision reflects his concerns about the potential consequences of a Bawumia presidency, particularly in terms of economic challenges and perceived dishonesty.
“If Bawumia wins the next election, I am out of this nation. If anyone votes for Bawumia it means they don’t fear hardship it means they like lies,” he said.
He criticized Dr. Bawumia’s economic strategies and questioned his ability to bring about meaningful change given his current government affiliations.
This development adds to the ongoing political dialogue in Ghana as both major parties, the New Patriotic Party (NPP) and the National Democratic Congress (NDC), vie for the presidency.
Dr. Bawumia’s candidacy has sparked debate and scrutiny, especially regarding his role in economic management.
Blakk Rasta’s statement underscores the depth of political engagement within Ghanaian society as the country approaches a critical juncture in its leadership and governance.
Watch video below:
"Dr. Bawumia shouldn't win this election. Anyone who votes for him simply doesn't fear hardships but rather is interested in lies." – Blakk Rasta. pic.twitter.com/JlZZRxbdlx
Ghanaian musician, Patapaa recently shared that his marriage to Liha Miller wasn’t based on a traditional proposal. Instead, he mentioned that Miller expressed her love for him, and they mutually decided to build a life together.
Their marriage, which took place in January 2021 in Agona Swedru, faced rumors of troubles shortly after. Despite these rumors, Patapaa refuted them and even had disagreements with Zionfelix over an interview with Liha in Germany.
Recently, Liha confirmed that their marriage had indeed broken down, mentioning that she hadn’t seen Patapaa since leaving Ghana for Germany shortly after their wedding.
Patapaa responded to these revelations cautiously, citing that the divorce proceedings were ongoing and therefore he preferred not to discuss it in detail.
“My blessings are what Liha tapped into to become famous, so anytime she gets the opportunity, she wants to infuriate me so that I will talk back and get her in the trends. I don’t love her, and I never proposed love to her,” Patapaa stated during an interview with Accra-based Angel Television.
He emphasized that since they legally formalized their marriage, he didn’t want to disrespect the court or judges involved.
Regarding their relationship, Patapaa admitted that it wasn’t built on love from his side. He clarified that he never proposed love to her and suggested that Liha was more interested in leveraging his fame and blessings to boost her own public profile.
In essence, Patapaa and Liha’s marriage, initially met with speculation, has now transitioned into
Reggae artist Blakk Rasta recently stirred controversy with his vow to leave Ghana should Vice President Dr. Mahamudu Bawumia win the upcoming presidential elections.
During an interview, he stated his intention to relocate with his family, pets, and possessions, indicating that he would only consider returning if Dr. Bawumia is no longer in power.
Blakk Rasta’s decision reflects his concerns about the potential consequences of a Bawumia presidency, particularly in terms of economic hardship and alleged dishonesty.
He criticized Dr. Bawumia’s economic strategies and expressed doubt about his ability to enact meaningful change given his current government affiliations.
“If Bawumia wins the next election, I am out of this nation. If anyone votes for Bawumia it means they don’t fear hardship it means they like lies,” he said.
This development adds to the ongoing political discourse in Ghana, where both major parties, the New Patriotic Party (NPP) and the National Democratic Congress (NDC), are actively campaigning for the presidency. Dr. Bawumia’s aspirations have drawn attention and criticism, especially regarding his role in economic governance.
Blakk Rasta’s statement underscores the deep-rooted political engagement and differing perspectives within Ghanaian society as the country approaches a pivotal moment in its leadership and governance.
Watch video below:
"Dr. Bawumia shouldn't win this election. Anyone who votes for him simply doesn't fear hardships but rather is interested in lies." – Blakk Rasta. pic.twitter.com/JlZZRxbdlx
Reggae musician Blakk Rasta has made a bold statement, declaring that he will leave the country if Vice President Dr. Mahamudu Bawumia wins the upcoming presidential elections.
During a recent interview, he expressed his intention to relocate with his family, pets, and belongings, only considering returning if Dr. Bawumia is no longer in power.
Blakk Rasta’s decision stems from his belief that a Bawumia presidency would signify a tolerance for hardship and dishonesty among the Ghanaian populace.
“If Bawumia wins the next election, I am out of this nation. If anyone votes for Bawumia it means they don’t fear hardship it means they like lies,” he said.
He criticized Dr. Bawumia’s economic management and expressed skepticism about the Vice President’s ability to bring significant change, given his association with the current government’s policies.
This statement comes amid the ongoing campaigns by both major parties, the New Patriotic Party (NPP) and the National Democratic Congress (NDC), vying for the presidency.
While Dr. Bawumia has outlined his visions for the country’s future, he has also faced criticism for his role in the government’s economic management.
Blakk Rasta’s stance highlights the passionate political discussions and divisions within Ghanaian society as the country prepares for its next leadership transition.
Watch video below:
"Dr. Bawumia shouldn't win this election. Anyone who votes for him simply doesn't fear hardships but rather is interested in lies." – Blakk Rasta. pic.twitter.com/JlZZRxbdlx
Veteran Highlife musician Rex Omar has firmly stated that he would not advise his children to pursue a music career in Ghana, pointing out the numerous challenges and disappointments in the industry.
During an interview with Accra-based 3FM, Omar shared his personal struggles and the systemic obstacles faced by Ghanaian musicians, especially on the global stage.
When asked if he would encourage his children to enter the music industry, he replied decisively, “no.” Despite their musical talents, he has managed to steer them away from a professional music path.
“None of my children are into music. I didn’t impose it on them. I told them the truth. They understand that if you play around with music as a Ghanaian, music will disappoint you,” he stated.
Omar recounted his experiences touring South Africa and other countries, where he observed a lack of support from the Ghanaian government. While other artists were greeted with significant support from their embassies, including branded vehicles, he often found himself without any such backing.
“I realized how exposed I am as an artist. It brought my spirit down,” he shared.
He mentioned an instance where he sought assistance from the Minister of Tourism for a tour, but received minimal aid.
“Today, tomorrow, today, tomorrow, today, tomorrow. He said they could sponsor one person, but even with that, I went on the tour for five months. I came back two months later before I was given something small. And even that something small, with the ups and downs, I nearly left it,” he explained.
Rex Omar believes that the industry has neglected its artists, making it difficult for them to achieve international success without a solid support system.
Veteran Highlife artist Rex Omar has expressed strong reservations about encouraging his children to pursue music careers in Ghana, citing numerous disappointments associated with the industry.
In an interview on Accra-based 3FM, Rex Omar shared his own experiences and highlighted the systemic challenges Ghanaian musicians face, particularly on the international stage.
When asked if he would advise his children to enter the music industry, he responded emphatically, “no.” Despite recognizing their talent, he has successfully guided them away from pursuing music professionally.
“None of my children are into music. I didn’t impose it on them. I told them the truth. They understand that if you play around with music as a Ghanaian, music will disappoint you,” he explained.
Rex Omar recounted his tour across South Africa and other countries, noting the stark contrast in support he received compared to other artists who were welcomed by their embassies with branded vehicles and other forms of assistance. In contrast, he felt abandoned by the Ghanaian government.
“I realized how exposed I am as an artist. It brought my spirit down,” he said.
He approached the then Minister of Tourism seeking support for another tour, but received only minimal assistance.
“Today, tomorrow, today, tomorrow, today, tomorrow. He said they could sponsor one person, but even with that, I went on the tour for five months. I came back two months later before I was given something small. And even that something small, with the ups and downs, I nearly left it,” he recalled.
Rex Omar’s experiences have led him to conclude that the industry neglects its creatives. Without a robust support system, he believes it is challenging for Ghanaian artists to achieve significant international success.
Ghanaian gospel singer Joe Mettle has shared his stance on collaborating with secular artists, revealing that he isn’t ready to venture into such partnerships.
During an interview on Hitz FM on June 20, 2024, the ‘Bo Noo Ni’ singer clarified why he turned down a proposed collaboration with rapper Sarkodie.
Mettle explained that he is waiting for spiritual guidance before engaging in any collaborations with secular artists.
He remarked, “Sarkodie and I have talked about it. It’s a door I choose not to open right now. The Holy Spirit has reasons for guiding certain actions, and until I receive that guidance, I feel I can’t proceed.”
He further mentioned that other secular artists, including rapper Manifest, have shown interest in working with him. However, Mettle emphasized his need for spiritual direction before moving forward with any collaborations.
“Manifest has been reaching out frequently. We are close, but I don’t want to rush into it. If I do it once, I might feel compelled to do it for everyone. So, please, no pressure,” he said with a chuckle.
Mettle concluded by saying, “When the time is right and I feel guided, I will consider it.”
Ghanaian gospel artistJoe Mettle has expressed his current reluctance to collaborate with secular musicians, citing a need for spiritual direction.
In a Hitz FM interview on June 20, 2024, the ‘Bo Noo Ni’ singer explained his decision to decline a proposed collaboration with rapper Sarkodie, emphasizing that he is waiting for guidance from the Holy Spirit.
Mettle stated that while he and Sarkodie had discussed a potential project, he prefers to wait until he feels spiritually led to engage in such collaborations. “It’s a door I choose not to open without clear spiritual direction,” he said.
Additionally, Mettle revealed that rapper Manifest has also shown interest in working with him.
Despite their friendship, Mettle remains cautious. “Manifest has reached out several times, but I don’t want to feel pressured into making a decision,” he shared with a laugh.
“I’ll only move forward when the time feels right and I receive the necessary guidance.”
GUTA argues that this sector, traditionally reserved for Ghanaians, is now dominated by foreign traders, particularly Chinese, who flood the market with inexpensive products.
He pointed out that foreign traders, notably those associated with China Mall and China Town, control around 40% of the market, undermining local manufacturers’ efforts.
“We have China Mall and China Town, which have taken over 40% of the market, and are derailing the efforts of local manufacturers.”
“All they do is to have their subsidized goods being dumped here (in Ghana) and we do not have the courage to clamp on them,” he opined.
These foreign entities, according to Obeng, import subsidized goods that are then dumped in Ghana, harming local businesses.
Obeng expressed concern that Ghanaian traders’ market share has dwindled to just 20%, with the majority of goods being imported by foreign traders.
“The local traders’ component is only 20%. The bulk of the goods is brought in by foreign traders.”
He also noted that foreign traders often repatriate their earnings, exacerbating the depreciation of the cedi, as they do not bring in the necessary foreign exchange for trading but instead turn to the black market.
“They don’t bring the correspondent forex for trading, they only go to the black market and change the forex and destroy our economy.”
Despite existing laws that mandate certain retail businesses to be operated by Ghanaians, enforcement has been lacking, allowing foreign traders to increasingly encroach on this space.
The forum organized by the GIPC serves as a platform to address issues affecting businesses and investors, aiming to prioritize concerns and inform policy reforms.
Media personality Serwaa Amihere has contributed GH¢10,000 to Nana Aba‘s fundraising campaign for the Kidney Dialysis Centre at Korle-Bu Teaching Hospital.
This generous donation will assist individuals with kidney diseases in affording their treatments and managing their medical expenses, significantly aiding their recovery.
Nana Aba initiated this campaign to gather funds for patients in need, appealing to the public for financial support.
During a ceremony honoring the donors, Nana Aba announced Serwaa Amihere’s substantial contribution.
The patients at Korle-Bu Hospital face substantial financial challenges due to the high cost of their treatments, and this donation will provide much-needed relief.
Watch video below:
Media personality Serwaa Amihere has donated GHS10,000 to support the Korle Bu Teaching Hospital Kidney Dialysis Centre as part of the birthday celebration of Nana Aba Anamoah.
Ghanaian musician King Paluta recently expressed his gratitude to everyone who supported him during his rise to stardom, including his former girlfriends.
In an interview on United Showbiz on UTV, the ‘Aseda’ hitmaker shared the challenges he faced in his music career before achieving success.
When asked about his journey and how he managed to sustain himself during the challenging times, King Paluta credited the unwavering support he received from various people, including his ex-partners.
He mentioned that he considers himself fortunate to have encountered individuals who supported him wholeheartedly.
Reflecting on his slow progress before hitting the big time, King Paluta emphasized his dedication to music as his driving force.
Despite initially facing minimal views on his YouTube videos, he remained steadfast and patient, allowing things to unfold naturally over time.
King Paluta, also known as Thomas Adjei Wireko, is a renowned Ghanaian rapper and singer who launched his music career in the early 2000s.
His songs, particularly ‘Sika Aba Fie,’ resonate with the youth, inspiring them towards success.
His track ‘ASEDA’ has garnered significant popularity, earning him four nominations at the Telecel Ghana Music Awards (TGMAs) and the prestigious title of Best New Artiste in 2024.
“I don’t rush; I let everything happen in its own time. When I first started music, I hardly got views on my videos uploaded on YouTube. I used to get about five to ten views in one year.
“But I was just living my life; I love what I do, and I love music, so finding myself around music — whether in the studio or listening to music — was okay for me,” he said.
Ghanaian musicianKing Paluta recently expressed gratitude to those who supported him during his rise to stardom, including his ex-girlfriends, during an interview on United Showbiz on UTV.
The ‘Aseda’ hitmaker reflected on his struggles in the music industry before gaining widespread recognition.
During the interview with host MzGee, King Paluta acknowledged the pivotal role of unconditional support from various individuals, including his former partners.
“I’ve been fortunate to meet people who always backed me, including my ex-girlfriends. They are all proud of my achievements now,” he shared.
Discussing his journey to success, King Paluta emphasized his patience and dedication to music.
Despite initially low viewership on his YouTube videos, he remained focused on his passion for music.
“I don’t rush; I believe in letting things unfold naturally. Music is my passion, and I immersed myself in it, whether in the studio or listening,” he explained.
King Paluta, also known as Thomas Adjei Wireko, began his music career in the early 2000s and is recognized for motivational tracks like ‘Sika Aba Fie.’
In 2024, his hit song ‘ASEDA’ garnered four nominations at the Telecel Ghana Music Awards (TGMAs), solidifying his status as Best New Artiste in the industry.
Ghanaian musicianKing Paluta has expressed deep gratitude to those who supported him during his journey to stardom, notably including his ex-girlfriends.
In a candid interview on United Showbiz on UTV, the ‘Aseda’ hitmaker recounted the challenges he faced in his early music career and acknowledged the unconditional support he received from various people along the way.
Reflecting on how he managed to sustain himself through the tough times, King Paluta revealed that he has been fortunate to meet individuals who believed in him and provided support without hesitation, including many of his former partners.
“I’m lucky; anytime in my life, I meet people who usually support me. All the time, I always met people who did not hesitate to support me. Even my ex-girlfriends, I have dated many girls are all proud of me right now,” he shared with the show’s host, MzGee.
King Paluta also discussed his enduring love for music, which kept him motivated despite a slow rise to fame.
He recounted how he initially struggled to gain views on his YouTube videos, often receiving as few as five to ten views in a year.
However, his passion for music kept him going.
“I don’t rush; I let everything happen in its own time. When I first started music, I hardly got views on my videos uploaded on YouTube. But I was just living my life; I love what I do, and I love music, so finding myself around music — whether in the studio or listening to music — was okay for me,” he said.
Thomas Adjei Wireko, better known as King Paluta, began his music career in the early 2000s.
His songs, which often inspire the youth towards success, have earned him significant recognition. In 2024, his hit track ‘ASEDA’ brought him four nominations at the Telecel Ghana Music Awards (TGMAs) and the title of Best New Artiste.
The mother of Funny Face‘s baby mama has voiced her confusion over the comedian’s infrequent visits to his children, who live with Vanessa in Kumasi.
She emphasized that there are no restrictions preventing him from seeing his kids and would be pleased if he visited to strengthen his bond with them, regardless of any personal issues with Vanessa.
“No one has stopped Nana Yaw from seeing his children, neither Ama nor I. I don’t understand why it appears challenging for him to visit his children. He is welcome to visit them without any hindrances,” Vanessa’s mother stated in a video shared by One Ghana TV on YouTube.
Funny Face has previously mentioned that an accident he experienced en route to visit his children has made him fearful of making the trip.
Meanwhile, he has faced numerous challenges with his former partner since their separation in 2021, leading to several social media controversies.
Host of Peace FM‘s Kokrokoo Morning Show,Kwame Sefa Kayirecently reflected on his past actions, acknowledging that they have played a significant role in his personal growth and wisdom.
He admits that some actions he took in his youth are ones he would avoid today, having matured and learned from those experiences as an adult.
Despite this, the renowned broadcaster emphasizes that he does not regret his past actions, even those that didn’t turn out as expected. Instead, he views them as valuable lessons that have enriched his life.
During a conversation on Peace FM, Sefa Kayi shared how his past experiences, both good and bad, have shaped his current outlook and contributed to the reputation he enjoys today.
“I wouldn’t say I have significant regrets; rather, I see many opportunities for learning. I’ve made both right and wrong choices. Where things didn’t go as planned, there is some regret, but I view those instances as lessons learned. As you grow older, you gain wisdom.
“There are things I did in my teens, twenties, and thirties that I would not do now. It’s not because of deep regret, but because I have learned from those experiences. You learn to do things better based on what you have been through,” he said.
These reflections came as Sefa Kayi discussed his life lessons in celebration of his 54th birthday on June 20, 2024.
Watch video below:
My past mistakes have shaped me to be better – Kwame Sefa Kayi
The mother of Ghanaian comedian Funny Face‘s children, Vanessa has expressed confusion over her ex-partner’s refusal to apologize to her family for past wrongdoings.
She explained that Funny Face’s past disrespect towards her family has strained their relationship, complicating matters further.
Vanessa questioned why Funny Face has not visited their home in Kumasi to spend time with their children, opting instead to express his desire to see them through social media outbursts.
In a video shared by One Ghana TV on YouTube, Vanessa urged Funny Face to seek forgiveness from her family if he genuinely wants to resolve their issues peacefully, rather than airing their problems publicly.
She emphasized the importance of respect, stating, “This person [Funny Face] has disrespected my family, so the least he can do is come back and apologize. It’s not right to think that having children with me automatically means forgiveness after insulting my family. An apology would make a big difference; my family would understand and we could move forward. But if apologizing is too hard for him and he continues to call me out on social media to see his children, why can’t he come to Kumasi himself? If he claims he couldn’t make it due to an accident, did he even tell me he was on his way to Kumasi?”
Since their split in 2021, Funny Face has faced several challenges with his ex-wife, leading to various social media controversies.
Owner of the Rock City Hotel and Minister for Food and Agriculture, Bryan Acheampong, has firmly denied claims by NDC representatives Samuel Okudzeto Ablakwa and Sammy Gyamfi that his hotel is operating at a loss.
Ablakwa and Gyamfi asserted that they had obtained documents indicating the hotel’s financial struggles.
In response, Acheampong called these allegations lies during an interview with journalist Nana Yaa Brefo from Media General.
He criticized Ablakwa and Gyamfi for spreading false information and challenged Ablakwa to publicly produce the supposed document.
“Rock City is not making losses. No one anywhere can say that Rock City is incurring losses. I saw Okudzeto and Sammy Gyamfi in the studio making noise. Okudzeto, wearing a smock, exaggerated that Rock City is making losses and that he has intercepted documents from the GRA.”
“He has not intercepted any documents. Everything he is saying is lies. There is nothing truthful about what Okudzeto said concerning that matter. In the first place, Rock City has informed me, and I have checked with the GRA, that they have not even filed their 2023 taxes yet.”
Acheampong clarified that Rock City has not yet filed its 2023 taxes, which are due at the end of June, making it impossible for any document to exist.
“So, they have not filed yet. Rock City has not even gone to the GRA; they plan to file at the end of the month. So where did he get the document from? What he is saying is fabricated and a lie.
“Rock City has not even filed its 2023 taxes. They are due by the end of June. So where did he get it from? Today, I am daring him,” Mr. Bryan Acheampong said.
Acheampong expressed confidence in the hotel’s profitability and dismissed the claims as entirely fabricated.
To demonstrate his conviction, he offered to gift his Akosombo Intercontinental Hotel to Ablakwa or an orphanage of Ablakwa’s choice if the allegations were proven true.
He urged Ablakwa to substantiate his statements with actual evidence, emphasizing the baseless nature of the accusations.
“He should prove it, and I will gift it to him or any orphanage of his choice,” he dared Okudzeto Ablakwa.
Owner of Rock City Hotel and Minister for Food and Agriculture, Bryan Acheampong has strongly refuted claims by Samuel Okudzeto Ablakwa, NDC Member of Parliament for North Tongu, and Sammy Gyamfi, the National Communication Director of the NDC, that his luxurious hotel is incurring losses.
Ablakwa and Gyamfi alleged they had intercepted a document indicating the Kwahu-based hotel was not profitable.
However, Acheampong dismissed these allegations as lies in an interview with Media General journalist Nana Yaa Brefo.
He accused Ablakwa and Gyamfi of fabricating the story and challenged them to provide evidence.
Acheampong explained that Rock City has not yet filed its 2023 taxes, with the filing due by the end of June, and therefore, any claim of intercepted documents from the Ghana Revenue Authority (GRA) is baseless.
He expressed confidence in the hotel’s financial health and called the accusations unfounded.
Furthermore, Acheampong declared that if Ablakwa could prove his claims, he would gift his Akosombo Intercontinental Hotel to the NDC MP or any orphanage of Ablakwa’s choice.
He emphasized his challenge, questioning the authenticity of the alleged documents and the credibility of the claims made by the NDC representatives.
“Rock City is not making losses. No one anywhere can say that Rock City is incurring losses. I saw Okudzeto and Sammy Gyamfi in the studio making noise. Okudzeto, wearing a smock, exaggerated that Rock City is making losses and that he has intercepted documents from the GRA.”
“He has not intercepted any documents. Everything he is saying is lies. There is nothing truthful about what Okudzeto said concerning that matter. In the first place, Rock City has informed me, and I have checked with the GRA, that they have not even filed their 2023 taxes yet.
“So, they have not filed yet. Rock City has not even gone to the GRA; they plan to file at the end of the month. So where did he get the document from? What he is saying is fabricated and a lie.
“Rock City has not even filed its 2023 taxes. They are due by the end of June. So where did he get it from? Today, I am daring him,” Mr. Bryan Acheampong said.
Ghanaian musician and socialite Mona Faiz Montrage, known as Hajia4Real, has pleaded guilty to a $2 million romance scam case in the United States.
According to the US Attorney’s Office for the Southern District of New York, Montrage admitted to one count of conspiracy to receive stolen money on February 21, which could result in a maximum sentence of five years in prison.
US Attorney Damian Williams stated that Montrage knowingly received money stolen from elderly Americans through romance scams.
He emphasized the severe impact on vulnerable victims who discovered their romantic connections were fraudulent.
Williams affirmed the commitment of his office and law enforcement partners to bring such fraudsters to justice, regardless of their location.
Montrage has agreed to pay $2,164,758.41 in forfeiture and restitution.
Her sentencing, to be determined by U.S. District Judge Paul A. Crotty, is forthcoming.
In a plea for leniency, Montrage has requested a reduced sentence of three months in jail followed by deportation, citing her status as a single mother and her philanthropic efforts.
Mother of Ghanaian comedianFunny Face‘s children, Vanessa has revealed why she has chosen to avoid direct communication with him.
She cited his habit of secretly recording their phone conversations and sharing them on social media without her consent as the primary reason for her decision.
Vanessa expressed her discomfort with this behavior, noting that it led her to stop communicating with him directly.
Despite Funny Face’s desire for direct conversations, she has maintained her stance due to these past incidents. However, she allows him to communicate with their children.
“If you secretly record our conversation and post it on social media to make a point, who are you trying to please? This is why I prefer not to speak with you directly. You can talk to your children instead,” she explained in a video shared by Express GH TV on their YouTube channel.
Since their split in 2021, Funny Face has encountered several challenges with his ex-partner, many of which have sparked controversies on social media.
Esteemed media figure Deloris Frimpong Manso, widely known as Delay, expressed her irritation after a fan questioned her childless status.
During a Q&A session on X, Delay invited her audience to ask questions about her or any other topics.
A user under the handle Mikel queried the presenter of The Delay Show about her apparent lack of concern regarding marriage and childbirth, asking, “At age 56, no husband, no children. Ain’t you worried about it????”
Delay, clearly annoyed, responded sharply, “The only thing I’m worried about is my fruitless search for the missing map of your ass with an X marking the spot where your head is buried!!!!”
While some people speculate about Delay’s marital status and absence of children, she appears untroubled by such inquiries from fans and the public.
Delay, whose full name is Deloris Frimpong Manso, was born on June 24, 1982, making her 41 years old as of June 2023.
She started her career as a radio host and gained prominence through her engaging and sometimes controversial style. Known for keeping her personal life private, Delay rarely discusses her relationships or family in public.
Amidst the controversy surrounding the popular Ghanaian gospel song ‘Defe Defe,’ a potential lawsuit is looming over the track. Renowned artiste manager Nana Poku Ashis has commented that Team Eternity Ghana made a mistake.
The dispute centers on the alleged unauthorized use of a line from the 2004 song ‘Defe Defe’ by Hallelujah Voices, written by Osuani Afrifa and executively produced by Kwame Mickey for Kaakyire Music Productions. The 2024 song by Team Eternity features the same line in its lyrics.
On June 19, 2024, Nana Poku Ashis shared a video on Facebook comparing both songs and highlighted the ways an artiste could use another’s work legally. He claimed that Team Eternity committed several infringements, including re-recording, copyright infringement, sampling, and lifting. Ashis stressed that permission from the original creators should have been obtained and advised against supporting the unauthorized use of others’ work.
“It is very clear that they have infringed on the rights of the legend. They should have just sought permission from the legend; respect is due where it must go. Let us not encourage such acts; just a phone call would have solved all these issues. Artistes must ensure they get proper clearance and obtain permission from the original creators before using their work. Give credit: Acknowledge the original creator,” he posted.
Background
Kwame Mickey, the executive producer for Hallelujah Voices, claims that Team Eternity Ghana has unlawfully used the ‘Defe Defe’ phrase in their new song. While some argue that the expression ‘Defe Defe’ cannot be exclusively owned by Hallelujah Voices, others note the lyrical similarities between the two songs. Hallelujah Voices’ version includes the line “Manhyia Nyame a anka ɔbonsam ayɛ me defe defe,” whereas Team Eternity’s version goes “Manhyia Nyame a anka y’ayɛ me defe defe.”
This controversy has sparked discussions on copyright laws and the importance of obtaining permission before using elements from others’ work in new creations.
Honorary vice president of IMANI Ghana, Bright Simons, says his uniform has uncovered what appears to be another instance of preferential treatment and questionable deals in Ghana‘s energy sector.
The focus of scrutiny is Genser Energy, a private power producer that has allegedly secured advantageous agreements with the Electricity Company of Ghana (ECG) at the expense of fair market practices.
At the heart of the issue is the pricing disparity between what large mines in Ghana typically pay for high-voltage power and the rates at which Genser Energy is obtaining electricity from ECG.
While mines are accustomed to paying approximately 28 cents per kilowatt-hour (KWh), Genser has reportedly negotiated a deal to acquire power at a significantly reduced rate of 8.2 cents per KWh.
The concern deepens as it is revealed that Genser Energy benefits from heavily subsidized gas prices, courtesy of the Ghana National Petroleum Corporation (GNPC).
Despite market rates suggesting gas should be priced at around $7.5, Genser is allegedly receiving gas at less than $3, allowing them to generate electricity at a fraction of the expected cost.
This advantageous pricing structure raises questions about fair competition and market integrity, particularly when gas supplies are under strain.
The fear is that such deals could lead to power shortages, commonly referred to as ‘dumsor,’ as resources are diverted to fulfill Genser’s contracts instead of meeting the broader energy demands of the country.
IMANI Ghana and ACEP have long been vocal about the need for transparency and accountability in Ghana’s energy sector.
They argue that these sweetheart deals not only undermine fair business practices but also contribute to financial instability within the sector.
When power producers struggle to be paid and fuel procurement becomes challenging, the repercussions are felt nationwide, impacting both businesses and citizens alike.
The situation has prompted calls for a thorough investigation into the alleged preferential treatment extended to Genser Energy and similar entities.
Additionally, there are growing demands for reforms to ensure that such practices are curbed, and the energy sector operates on principles of fairness, sustainability, and accountability.
As Ghana navigates its energy challenges, the spotlight remains firmly on addressing these systemic issues to secure a reliable and equitable energy future for all.
See post below:
IMANI Ghana is investigating what looks like another sweetheart giveaway to Genser Energy. Mines in Ghana that want high-voltage power pay ~28 cents per Kwh. Genser has cut a deal with ECG to obtain power at 8.2 cents per Kwh. Genser's customers are large mines. Do the math! pic.twitter.com/J4s4vJtOZ6
Team Eternity Ghana is facing a potential legal trouble over accusations of using a portion of Hallelujah Voice’s song “Defe Defe” in their latest track.
In a Facebook post, Kwame Mickey, the executive producer of Hallelujah Voice’s “Defe Defe,” alleges copyright infringement by Team Eternity Ghana for incorporating the “defe defe” phrase into their new hit.
He challenges the similarities between the two songs and urges the other party to address the issue.
The matter has sparked debates on social media.
Some argue that “Defe Defe” isn’t a unique expression coined by Hallelujah Voices, thus negating their claim. Others, however, note the resemblance in the lyrics.
Hallelujah Voices sings “manhyia Nyame a anka ɔbonsam ayɛ me defe defe,” while Team Eternity Ghana’s version is “manhyia Nyame a anka y’ayɛ me defe defe.”
The term “defe defe” in Twi describes the intensity of an unpleasant situation, with synonyms like “pasa pasa” and “basa basa.”
Though the rhythmic and melodic structures of the two lines differ, Kwame Mickey argues for the similarity in their lyrical content.
“Defe Defe” by Hallelujah Voices was written by Osuani Afrifa and executive produced by Kwame Mickey for Kaakyire Music Productions, released in 2004.
Team Eternity Ghana, currently holding the top spot on Apple Music Top 100: Ghana with their song “Defe Defe,” is yet to respond to the allegations.
Their song, part of the ‘Testimony’ album, reached the No. 1 position on May 7, 2024, shortly after the album’s release on May 1, 2024. It has since garnered over 2 million views on YouTube.
Watch video below:
“Team Eternity, you’re playing with fire” – Kwame Mickey on copyright issues
Nana Aba | Kantamanto | Dr. UN | WHAT A GOAL | Sabinus | Defe Defe | Kingl Eben | Rakitic #smspic.twitter.com/EWHA0XI04E
— THE SOCIAL MEDIA SHOW (@Tsocialshow) June 19, 2024
Team Eternity Ghana might face legal trouble for allegedly using a part of Hallelujah Voice’s song “Defe Defe” in their new hit.
Kwame Mickey, the executive producer of Hallelujah Voices’ “Defe Defe,” took to Twitter to accuse Team Eternity Ghana of copyright infringement.
He claimed that the group used the ‘defe defe’ phrase from his song in their latest release as well as portions of the lyrics.
In his post, Mickey wrote, “Who is that Defe Defe singer? If I start right now them go say I am ‘mansonia’. What is the difference between the two songs? Somebody tell her to report and do the needful. That’s all.”
This accusation has sparked debate on social media. Some argue that ‘Defe Defe’ is a common expression in Twi and cannot be claimed by Hallelujah Voices. Others, however, point out similarities in the lyrics. Hallelujah Voices’ song includes the line “manhyia Nyame a anka ɔbonsam ayɛ me defe defe,” while Team Eternity’s song features “manhyia Nyame a anka y’ayɛ me defe defe.”
In Twi, ‘defe defe’ is an adverb describing the severity of an unpleasant situation, with synonyms like ‘pasa pasa’ and ‘basa basa.’
Despite structural differences in rhythmic patterns and melodic phrases, Kwame Mickey is focusing on the lyrical similarities.
“Defe Defe” by Hallelujah Voices, written by Osuani Afrifa and produced by Kwame Mickey for Kaakyire Music Productions, was released in 2004.
Team Eternity Ghana has yet to respond to the allegations. The group’s song “Defe Defe” from their “Testimony” album, which topped Apple Music’s Top 100: Ghana charts on May 7,
Watch video below:
🚨ICYMI🇬🇭▶️: “Team Eternity, you’re playing with fire. If you don’t know go and ask Stonebwoy…” — Executive Producer of Hallelujah Voices’s ‘Defe Defe’ calls for a convo.
In this video, we delve into the potential legal battle between Kwame Mickey of Hallelujah Voices and Team… pic.twitter.com/VOdIgsyiUh
Ghana’s dance stars, Afronitaa and her protégé Abigail, the winner of Talented Kidz Season 14, have returned to Accra after a stunning performance on this year’s Britain’s Got Talent, where they secured third place.
The competition took place in London, and the duo had spent the last month abroad to participate. They arrived at Kotoka International Airport in Accra to a hero’s welcome on Sunday, June 17.
A large crowd gathered to cheer and show their support. Students from Afronitaa’s dance school, Afrostar Kids Academy, greeted them with a vibrant dance performance.
Afronitaa and Abigail made Ghana proud with their energetic performances in the finals, earning standing ovations from both the judges and the audience multiple times.
Watch video below:
Afrostar Kids Academy welcomes Afronitaa, Abigail with dance performance after BGT success
Nana Aba | Kantamanto | Dr. UN | WHAT A GOAL | Sabinus | Defe Defe | Kingl Eben | Rakitic pic.twitter.com/G9KkCap1Qr
— THE SOCIAL MEDIA SHOW (@Tsocialshow) June 19, 2024
Renowned Ghanaian songwriter and rapper Martin King Arthur, widely known as Kofi Kinaata, has expressed his gratitude to those who have supported his music career while clarifying that no one discovered him.
Kinaata addressed the common perception among music fans that his rise to stardom was mainly due to being discovered by industry giants like Castro, Samini, and Dr. Pounds.
Speaking to Tony Best on Akoma FM’s Entertainment 360, he explained that he was already making music before meeting these figures.
“The concept of discovery is sometimes overused or overemphasized. To discover someone means to unearth a raw talent and help them realize their potential. That’s what I consider true discovery,” Kinaata stated.
He acknowledged the significant contributions of these personalities to his career but emphasized that his talent and success are his own.
Kinaata recounted, “When Dr. Pounds met me in Takoradi, I had already been selected to participate in a rap competition, which I eventually won. This shows that I was already active in music.” Currently, Kofi Kinaata is promoting his EP “Kofi oo Kofi.”
Celebrated female rapper known for her numerous hit songs, Eno Barony recently clarified her purpose in the music industry, stating that she isn’t here to prove her rap skills to male counterparts.
In an interview with Lord Sly on Guide Radio’s Flight Time, the 2020 AFRIMMA Best Female Rapper shared her focus on personal development rather than competition.
A rising star in Ghana, Eno Barony strives to influence positive social change through her music. “My objective is self-improvement and personal growth,” she told Lord Sly. “I push myself to become a better artiste and surpass my past achievements.”
Her drive to inspire the younger generation and convey her life experiences fuels her music creation. She believes her unique musical style, combined with her knowledge and stage presence, will soon make a significant mark on the global music scene. “My songs reflect my life,” she said. “I pour my entire being into each one, allowing listeners to connect with my journey.”
Facing considerable challenges in her early career, including resistance and physical abuse from her father, Eno remained steadfast in her passion for music.
Born Ruth Adjoa Amankwah Nyame Adom, she burst onto the music scene in 2014 with ‘Wats Ma Name’. Her career features notable collaborations, including ‘Megye Wo Boy’ with Abrewa Nana in 2015, ‘Daawa’ with Shatta Wale in 2016, and ‘Gari’ with Kwaw Kese. Other significant works include ‘Touch the Body’ with Stonebwoy and ‘King of Queens’ with Medikal.
In 2017, she released ‘Juice Me’ and collaborated with Ebony Reigns on ‘Obiaa Ba Ny3’. Her accolades include the Best Female Rap Act at the 2020 AFRIMMA and becoming the first female artiste to win Rapper of the Year at the 2021 3Music Awards.
Renowned female rapper, Eno Barony with several hit songs, recently expressed that her aim in the music industry is not to prove her rap skills to her male counterparts. During an interview with Lord Sly on Guide Radio’s drive time show, Flight Time, the 2020 AFRIMMA Best Female Rapper emphasized her focus on personal growth and self-improvement.
Recognized as one of Ghana’s prominent rising stars, Eno Barony aims to use her music to inspire positive social change. She told Lord Sly, “I don’t think I have to prove anything to males. My objective is self-improvement and personal growth. I push myself all the time to become a better artiste and to go beyond my past successes.”
Her passion lies in motivating the next generation and sharing her personal experiences through her music. With her accumulated knowledge, distinct musical style, and strong stage presence, she believes she will soon make a significant impact on the global music scene.
“My life is reflected in my songs. I put my whole being into each song, making it possible for listeners to identify with my challenges and journey,” she stated.
Eno faced numerous challenges early in her career, including opposition and physical abuse from her father who disapproved of her rap aspirations. Despite these obstacles, she remained determined to pursue her passion for music.
Born Ruth Adjoa Amankwah Nyame Adom, Eno Barony entered the music scene in 2014 with her single ‘Wats Ma Name’. She continued to release notable tracks, including ‘Megye Wo Boy’ with Abrewa Nana in 2015, ‘Daawa’ with Shatta Wale in 2016, and ‘Gari’ with Kwaw Kese. Her collaborations also include ‘Touch the Body’ with Stonebwoy and ‘King of Queens’ with Medikal.
In 2017, she released ‘Juice Me’ and followed it with ‘Obiaa Ba Ny3’, featuring Ebony Reigns. Her talent was recognized with the Best Female Rap Act award at the 2020 AFRIMMA and the Rapper of the Year award at the 2021 3Music Awards, making her the first female artiste in Ghana to achieve this honor.
Gospel singerSonnie Badu has recently captivated attention and ignited social media with his latest acquisition—a sleek and powerful Lamborghini. Known for his hit songs and philanthropic endeavors, Badu’s new ride has made quite an impression.
The Lamborghini’s exterior showcases sophistication and style, characterized by its aerodynamic curves and bold presence.
The interior is equally remarkable, resembling a futuristic spaceship with plush leather seats, a state-of-the-art sound system, and advanced technology that enhances the driving experience.
Sonnie Badu’s new car has sparked a flurry of reactions on social media. Fans are celebrating his success and expressing admiration for his refined taste in automobiles.
The post featuring his Lamborghini has garnered thousands of likes and comments, amplifying the excitement surrounding this luxurious vehicle.
In addition to the Lamborghini, Sonnie Badu’s impressive collection includes a Mercedes Benz S600, a BMW X6, and a Jeep Wrangler. As he continues to drive his magnificent new car around Ghana, it stands as a testament to his achievements and the rewards of his dedication.
This Lamborghini, blending elegance and power, symbolizes his journey and success, leaving an unforgettable impression on all who see it.
A central figure in the investigation into the death of Nigerian singer Mohbad, Sam Larry has survived a severe car accident.
The crash left the front of his vehicle extensively damaged, yet Larry walked away without injuries.
In a social media update, he expressed his gratitude for surviving the accident, stating, “Alhamdulilah for Life. Thanks for your prayers, fans. I keep my eyes on those who don’t say a prayer.”
Larry’s public image has been controversial, particularly following Mohbad’s tragic death, which sparked widespread demands for justice.
He has faced intense scrutiny due to videos that allegedly show him bullying the late singer. His involvement with Mohbad has placed him at the center of both public suspicion and the ongoing investigation.
Renowned actress Oheneyere Mercy Asiedu has reported that her social media accounts have been compromised by unknown individuals impersonating her to solicit money from her contacts.
In a public statement, Asiedu revealed that her WhatsApp and Facebook accounts have been completely taken over by these scammers, who are using her identity to send out fraudulent messages requesting funds.
She emphasized that she would never ask for money in such a manner and urged her fans and the public to remain cautious and vigilant.
She advised anyone receiving suspicious messages claiming to be from her to disregard them and avoid engaging with the scammers.
Asiedu has called on her supporters to help spread the word about the hacking incident to prevent others from being deceived.
Reassuring her followers, she mentioned that steps are being taken to regain control of her accounts and address the situation.
While acknowledging the significant progress made, he emphasized the substantial opportunities for further growth.
Agyemang mentioned that international arrivals, which reached around 1.1 million by the end of 2019, saw a decline in 2020 due to COVID-19.
However, by 2023, the industry had not only recovered but exceeded pre-pandemic levels.
He also noted the remarkable increase in domestic tourism.
In 2017, approximately 500,000 Ghanaians engaged in local tourism, a number that surged to 1.4 million by 2023, reflecting a substantial rise in local tourist activity.
Speaking on the JoyNews AM show, Agyemang highlighted the sector’s growth in cruise tourism, stating that there was a time when a cruise ship might dock at Ghana’s ports, Tema or Takoradi, only once every two years. In contrast, nearly 10,000 cruise passengers arrived in 2023 alone.
These statistics, he noted, demonstrate the positive impact of the GTA’s efforts in marketing, licensing, and regulation. Yet, Agyemang believes that much more can be done to fully realize Ghana’s tourism potential.
He pointed out the interconnected nature of tourism with other sectors such as road infrastructure and sanitation. “People are beginning to understand that the impact on tourism cannot be isolated from health, sanitation, or road conditions,” he said.
Former Big Brother Naija contestant also known as Kate Jones, Ka3na has stirred controversy with her recent social media posts showcasing what appeared to be her new private jet and Range Rover.
These images, captioned with gratitude for her success, were later revealed to be stock photos edited to include her branding.
The backlash ensued swiftly as eagle-eyed users pointed out that the images were not original but sourced from the internet.
Despite the mounting criticism and disappointment from her fans, Ka3na has not addressed the allegations or clarified the authenticity of the photos.
This incident adds fuel to the ongoing discussion about the pressures faced by public figures to maintain a glamorous image on social media, often resorting to exaggerated or misleading representations of their lifestyles.
During the signing ceremony, President Bessa Simons urged union members to enroll in the MUSIGA SIC-Life Insurance scheme to access its benefits. He emphasized the scheme’s importance, highlighting its three-year track record of supporting members nationwide through various challenges.
Bessa Simons stressed the unpredictable nature of accidents and emergencies, underscoring the necessity of protection against such unforeseen events.
“Accidents and emergencies are unannounced and they confront us when we least expect hence the need to be protected against such unfortunate occurrences,” Bessa Simons noted. On his part, the MUSIGA General Secretary, S.K Agyemang expressed his excitement at the signing of the contract. He noted that the scheme is a buffer against unforseen challenges and also encouraged all musicians to sign up to the scheme,” he said.
Echoing his sentiments, MUSIGA General Secretary S.K Agyemang expressed enthusiasm for the renewed agreement, emphasizing its role as a safety net against unexpected difficulties and encouraging all musicians to participate.
The scheme offers several benefits, including a GHC 5,000.00 payout to families of deceased subscribed members, as well as support for permanent disabilities, child welfare, and parental assistance.
Andrew Adu-Asante from SIC-Life’s Corporate Group Business department commended MUSIGA for their proactive initiative, recognizing its potential to significantly benefit union members. Representatives from SIC Life included Andrew Adu Asante, Elliot Botchway, and Alfred Codjoe from the Corporate Group Business Department, along with Mary-Joan Acheampomaa and Ampem Loretta Yamnobiya Anafu from the Group Underwriting Department.
American musician Céline Dion emotionally introduced her forthcoming documentary, “I Am: Celine Dion,” at its New York City premiere.
The film delves into her life, including her battle with stiff-person syndrome (SPS), a rare neurological disorder.
She expressed gratitude to her physician, Dr. Amanda Piquet, and filmmaker Irene Taylor Brodsky.
Dion also thanked her children, René-Charles, Nelson, and Eddy, and her fans for their unwavering support.
Addressing the audience, Dion shared a personal anecdote about comparing herself to an apple, symbolizing her desire to always offer her best to her fans.
She recounted a touching message from a fan affirming their support for her truth rather than perfection.
Touched by the moment, Dion wiped away tears, later assisted by her son René-Charles.
After expressing her appreciation for her friends and the audience, Dion concluded her speech with a heartfelt promise of more to come, receiving a standing ovation.
The premiere concluded with Dion and Taylor acknowledging the applause, with Dion stunning in an all-white ensemble complemented by silver accessories.
TGMA Artist of the Year for 2024, Stonebwoy recently addressed an escalating conflict with media investor Baba Sadiq Abdulai Abu, who has filed a police complaint against him.
In a discussion with Andy Dosty on Daybreak Hitz, Stonebwoy emphasized the importance of choosing battles wisely, stating that not every criticism or attack warrants a response.
He likened dealing with detractors to handling barking dogs, noting that while some may require attention, others can be ignored.
“You don’t bark back at every dog that barks at you. You don’t throw stones at every dog barking at you. But some dogs you have to, you know, deal with.”
“We started by saying how reputations began. There are some that you cannot leave out because of who is saying it and the kind of agenda that is behind it,” he added.
However, Stonebwoy also acknowledged that certain criticisms, particularly those stemming from specific individuals with agendas, must be addressed to protect his reputation and brand.
“From all the stuff I’ve said today, listen to it clearly and look at the build-up. It tells you that there is a bigger plan for their antics. However, I can only stand and state my truth. This is as simple as that.
“Like I said, you can’t just be following just everybody. On Twitter, people overdo it.”
Stonebwoy hinted at a larger strategy aimed at provoking him into reacting, emphasizing the need to discern genuine concerns from malicious intent.
He urged people to evaluate criticisms objectively rather than engaging in excessive and unproductive social media exchanges.
“This is supposed to be taken seriously and cleaned. I implore you to pick up the tweet and read them, then you can understand the level it is at and therefore the need to clean up a very honourable brand as Stonebwoy,” he added.
In urging netizens to read and understand the context of tweets and criticisms, Stonebwoy highlighted the importance of maintaining a positive image and encouraged constructive feedback to help him improve and safeguard his brand.
Pop sensationJustin Timberlake faced arrest in New York for driving under the influence, as confirmed by local authorities to the BBC.
The incident occurred in Sag Harbor, a renowned summer spot in the Hamptons frequented by celebrities. Timberlake was driving his grey BMW when he was stopped for running a stop sign and straying from his lane.
Upon inspection, officers noted Timberlake’s bloodshot and glassy eyes, along with a strong smell of alcohol on his breath.
His speech was slurred, and he performed poorly on sobriety tests.
Refusing a breathalyser test, he claimed to have had only one martini and was following friends home.
Released without bail after being charged, Timberlake is set for a virtual court appearance on 26 July.
His lawyer, Edward Burke Jr., vows to vigorously defend him.
As a former NSYNC member and a renowned artist, Timberlake has acknowledged past struggles with excessive drinking.
New York law stipulates penalties for DUI charges, potentially including jail time, fines, and a suspended license.
Timberlake’s upcoming performances in Chicago and New York’s Madison Square Garden are now in question.
Married to actor Jessica Biel, he’s also recognized for his roles in movies like The Social Network and Friends With Benefits.
Rema‘s “Calm Down” continues to rewrite music history, securing its place as the most-streamed Afrobeats song in the US. This achievement marks a significant milestone for the 24-year-old Nigerian star.
Chart Data, a music monitoring platform, recently announced that “Calm Down” has become the first Afrobeats song ever to surpass one billion on-demand streams in the US, solidifying its status as the “most successful African song of all time,” as previously described by Chart Data last year.
Billboard magazine’s music analysts attribute the song’s success to its melancholic slow jam and subtle hypnotic allure. Its captivating nature embeds itself in listeners’ minds, compelling them to revisit it repeatedly.
Originally released in February 2022 as a single from Rema’s debut album “Rave and Roses,” the track gained further traction when Rema collaborated with US singer Selena Gomez for a remix, which achieved the billion-plays milestone on Spotify.
This remix also made history by becoming the first African song to spend a year on the Billboard Hot 100 chart, reaching number three and setting a record for the highest-charting song led by an Afrobeats artist.
The remix’s music video, boasting nearly 894 million views on YouTube, stands as the most-watched by a Nigerian artist, catapulting Rema into the upper echelons of prominent Afrobeats artists such as Burna Boy, Wizkid, and Davido.
Embracing his unique style, Rema has coined the term “Afrorave” to describe his distinctive blend within the Afrobeats genre.
The family of the late singer Ilerioluwa Aloba, also known as Mohbad, has rejected the autopsy findings and is calling for an independent post-mortem and toxicology examination.
Mohbad died on September 12 at 27, in circumstances that raised questions, prompting the police to conduct an autopsy on September 21 to determine the cause of death.
In a virtual press conference led by Joseph Aloba, Mohbad’s father, and their legal team, they expressed dissatisfaction with the inconclusive nature of the autopsy results.
They specifically raised concerns about where and how the autopsy and toxicology tests were conducted, noting conflicting reports.
The family stressed the importance of having a reputable and internationally recognized forensic laboratory re-examine the toxicology samples to ensure adherence to the highest forensic science standards.
They called for transparency, collaboration with international experts, and prompt action from relevant authorities, including the Inspector General of Nigeria Police, to uncover the truth and bring justice to Mohbad’s memory.
Furthermore, they urged the coroner’s court to expedite a hearing on their request for an independent autopsy and toxicology test, highlighting its critical role in delivering justice and revealing the actual circumstances surrounding Mohbad’s death. Despite challenges like body decomposition, they emphasized the need for a thorough investigation to uncover the truth.
They remarked: “We, the legal representatives of the Aloba family, express our profound dissatisfaction and disappointment with the recent announcement regarding the toxicology test results of the late Ilerioluwa Oladimeji Aloba (Mohbad), which have been declared inconclusive by the pathologist.
“This outcome is entirely unacceptable to us and the Aloba family and raises serious concerns about the integrity and thoroughness of the investigation by the police and the medical team into the untimely death of their beloved son, brother, and friend. The Aloba family and the world demand to know where the toxicology test was carried out as this has impugned the integrity.”
Ghanaian actorKwaku Manu recently addressed allegations suggesting he’s been benefiting from politicians, particularly during John Dramani Mahama’s presidency.
He clarified that while there was indeed an initiative to provide cars to financially struggling celebrities, he personally didn’t accept one as he already owned a vehicle at the time.
He expressed confusion over the backlash faced by celebrities for disclosing their political affiliations, questioning the rationale behind such reactions.
Manu explained that Mahama’s initiative aimed to assist struggling celebrities by offering them cars with the expectation of repayment as a loan over time.
Despite attending the event where cars were distributed, Manu declined the offer, suggesting others who needed it more should benefit.
He emphasized that no politician has ever provided for him directly, refuting claims of benefiting from political ties.
These statements from Manu align with Actress Oheneyere Mercy Asiedu’s encouragement for actors to support Mahama in the upcoming 2024 general elections, referencing his past gestures of support during his presidency. However, Manu’s advocacy for Mahama has stirred criticism from some sectors of the public.
“Why would you be angry if someone is affiliated with NPP or NDC? Are you wiser than everyone? Mahama realized that some celebrities were not living in good conditions, so he put measures in place to gift cars so that they could pay for them as loans over time.
“I went to see the cars with others who were struggling at that time. I told them to give it to others because I had a vehicle that was dear to me. I was driving at that time. No politician has ever fed me. Nobody can boldly claim so. So when I speak, I know what I am talking about,” he stated in a video shared by Express GH TV on their YouTube channel.
Actor Kwaku Manu has denied allegations of benefiting from politicians, specifically during John Dramani Mahama’s presidency.
He clarified that although an initiative was launched to provide cars to financially struggling celebrities, he declined the offer as he already owned a vehicle at the time.
He expressed confusion over the criticism faced by celebrities for their political affiliations, questioning why such reactions occur.
Manu highlighted that politicians have never financially supported him directly, emphasizing his independence in expressing his views.
This response came after fellow actress Oheneyere Mercy Asiedu urged actors to support Mahama in the upcoming elections, citing his past efforts.
Manu echoed her sentiments and advocated for Mahama’s support during a meeting with the NDC flagbearer, which has garnered mixed reactions from the public.
“Why would you be angry if someone is affiliated with NPP or NDC? Are you wiser than everyone? Mahama realized that some celebrities were not living in good conditions, so he put measures in place to gift cars so that they could pay for them as loans over time.
“I went to see the cars with others who were struggling at that time. I told them to give it to others because I had a vehicle that was dear to me. I was driving at that time. No politician has ever fed me. Nobody can boldly claim so. So when I speak, I know what I am talking about,” he stated in a video shared by Express GH TV on their YouTube channel.
Ghanaian Afrobeats sensation, Camidoh recently opened up about the inspiration behind his latest track “NLF” (Nothing Lasts Forever) during an interview on Hitz FM on June 18, 2024.
Reflecting on his past relationship, he admitted to being overly confident and assuming it would endure indefinitely.
He described the breakup as disillusioning, realizing that relationships can dissolve for various reasons, even when one believes in their eternal nature.
Camidoh’s experience served as a reality check, making him acknowledge the unpredictability of relationships and the inevitability of potential separations.
This realization has shifted his perspective, making him better equipped to navigate future relationships with a more realistic outlook.
He expressed that while the end of a relationship can be painful, he now understands the transient nature of human connections and is prepared for whatever the future holds.
Ghanaian Afrobeats star Camidoh recently shared the story behind his latest song “NLF” (Nothing Lasts Forever), inspired by a personal heartbreak.
In an interview on Hitz FM on June 18, 2024, he reflected on his past relationship, acknowledging that he had been overly confident and convinced it would last indefinitely.
“Basically, we fell out, but I held onto the idea that it would last forever. I became too sure of myself. I was living in a fantasy world,” he admitted.
The ‘Sugarcane’ singer explained that this experience was a wake-up call, teaching him that relationships can end for various reasons and that sometimes separation is unavoidable.
“I felt like God gave me a reality check. I had to accept that things might not work out. If we don’t break up due to a misunderstanding, we could still end up apart at some point. When you understand the inevitability of death, you realize that even though I’m with this person, anything can happen, and one of us may lose the other,” he reflected.
Camidoh shared that this realization has better prepared him for future relationships. “If I marry someone in the future and it doesn’t work out, I won’t be as devastated as I was,” he concluded.
